For those who never tire of looking…

Before fully committing to fine art, I spent many years in the corporate creative world. I witnessed the acceleration digital technologies brought to output and efficiency - and the quiet erosion of warmth, risk, and creative depth. Innovation became optimized. Delight became secondary.

I would come home at night knowing I was made for more.

I began as a figure painter, drawn to gesture, arc, and the quiet intelligence of the human form. Over time, I recognized those same rhythms in horizon lines, erosion, flowers, and wind across terrain. The body and the landscape were never separate - they were always one language.

The experience clarified my intent.

My practice evolved into layered, elemental abstraction rooted in nature and material presence. I create work that resists digital flattening - paintings built slowly through accumulation and removal, stitched, sanded, and reworked until tension and restraint feel resolved. The surfaces carry history and evidence of touch. They are intentionally imperfect. They unfold rather than announce, shifting subtly with light and proximity, completing a space without overpowering it.

I hold an MBA from the University of Michigan and studied at the Rhode Island School of Design. I have exhibited in New York City, Los Angeles, London, at the Naples Art Institute, and at the Visual Arts Center in Bonita Springs, Florida.